Analysis of syntactical stylistic devices based on the arrangement of sentence members

Автор работы: Пользователь скрыл имя, 19 Мая 2013 в 20:06, дипломная работа

Описание работы

The theme of our Diploma Thesis is “Analysis of Syntactical Stylistic Devices Based on the Arrangement of Sentence Members” (based on Daphne du Maurier’s novel “Rebecca”). The cause of this selecting is the linguistic importance of this subject because Syntactical Stylistic Devices and Arrangement of Sentence Members are major part of lexicology which helps to understand richness of language and its beauty. Our investigation is connected with the novel of Daphne du Maurier “Rebecca” because prose helps us to discover and analyze all stylistic devices and to show all sense of this novel.

Содержание работы

Introduction ________________________________________________________
Chapter One. Syntactical Stylistic Devices_______________________________
1.1. Definition of Syntactical Stylistic Devices _____________________________
1.2. Arrangement of Sentence Members___________________________________
1.3.Sentence Arrangement_____________________________________________
1.4. Inversion
Chapter Two. Analysis of Syntactical Stylistic Devices based on part of the novel by Daphne Du Maurier “Rebecca”____________________________________________________________
Conclusions __________________________________________________________ Bibliography__________________________________________________________
Appendix 1___________________________________________________________
Appendix 2 __________________________________________________________

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Apposeopesis- I wished I could remember the Old Master who had painted that portrait. It stood in a corner of the gallery, and the eyes followed one from the dusky frame... 
'Why, I hardly think...' Eh bien, Blaize.je viens... 

Inversion- What brings you here? Why not join us? 'I'm so sorry,' he said, 'tomorrow I am probably driving to Sospel. Your valet has unpacked for you, I suppose?' 

Asyndeton- In half an hour we should be sitting to our bridge, the windows tightly closed, the central heating turned to the full. 
A sombre eye, a high-bridged nose, a scornful upper lip.

 

 

Appendix 2

 

 

 

 

 

 

 

 

 

 

 

 


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