Стилистический анализ отрывка из романа Оскара Уайльда «Портрет Дориана Грея»

The Picture of Dorian Gray

Chapter I

Edes [Pers]

[The studio was filled with the rich odour of roses,

Edes

and when the light summer wind stirred

amidst the trees of the garden, there came through the

Econs Edes

open door the heavy scent of the lilac, or the more

Edes

delicate perfume of the pink-flowering thorn.]

\\L\\

From the corner of the \\divan\\ of Persian

saddlebags on which he was lying, smoking, as was

H

his custom, innumerable cigarettes, Lord Henry

M

Wotton could just catch (the gleam of the

Edes

honey-sweet and honey-coloured blossoms of

Edes

a laburnum, whose tremulous branches seemed

Eeva

hardly able to bear the burden of a beauty so

Edes

flame-like as theirs; and now and then the fantastic

Edes

shadows of birds in flight flitted across the long

tussore-silk curtains that were stretched in front of the

Edes

huge window, producing a kind of momentary

Japanese effect and making him think of those

Edes Eeva

pallid jade-faced painters of Tokio) who, through

Eint

the medium of an art that is necessarily immobile,

seek to convey the sense of swiftness and motion.

[Pers]

[The sullen murmur of the bees shouldering their way

Edes

Through the long unmown grass, or circling with

Edes

monotonous insistence round the dusty gilt horns of

Edes

the straggling woodbine, seemed to make the stillness

Edes

more oppressive.] The dim roar of London was like

Com

Edes

the bourdon note of a distant organ.

Eint

In the centre of the room, clamped to an upright

Econs Eint

easel, stood the full-length portrait of a young

Eint

man of extraordinary personal beauty, and in front of

Пре

Edes

it, some little distance away, was sitting the artist

Eint [Pers]

himself, Basil Hallward, whose [sudden

disappearance some years ago caused, at the time,

such public excitement, and gave rise to so many

Пре

Eint

strange conjectures.]

Eeva

As the painter looked at the gracious and comely

Eeva

form he had so skilfully mirrored in his art,

M

 (a smile of pleasure passed across his face, and

E.conj

seemed about to linger there). But he

suddenly started up, and, closing his eyes, placed his

fingers upon the lids, as though he sought to imprison

Edes

within his brain some curious dream from which

R

he feared he might awake.

R add P

"It is your {best work}, Basil, {the best thing} you

Sup Пре

Have ever done," said Lord Henry, languidly.

Eeva

"You must certainly send it next year to the

Grosvenor. The Academy is too large and too

Пре

vulgar.Whenever I have gone there, there have been

H P

either{so many people that I have not been able to

see the pictures}, which was dreadful, or

Edes

H P

{so many pictures that I have not been able to see

R

the people}, which was worse. The Grosvenor is

Пре

really the only place."

Col R Arc

"I <don't> think I shall send it anywhere," he

<КР>

Eint R[Pers]

answered, tossing his head back in that [odd way that

used to make his friends laugh at him at Oxford.]

R

"No: I <won't >send it anywhere."

<КР>

Lord Henry elevated his eyebrows, and looked at him

Edes

In amazement through the thin blue wreaths of smoke

Edes

that curled up in such fanciful whorls from his heavy

Col

opium-tainted cigarette. "Not send it anywhere?

Rh

Col RhМе

 [My dear fellow,] why? Have you any reason?

add

 RColArc

What odd chaps you painters are!

ExEeva

R H

You do anything in the world to gain a reputation.

Par

R

As soon as you have one, you seem to want

Col

to throw it away. It is silly of you, for there is only

R P

one thing in the world worse {than being talked

about, and that is not being talked about}. A portrait

Edes

like this would set you far above all the young men

H

Edes R I

in England, and make the old men quite jealous,

Edes R

if old men are ever capable of any emotion."

Eeva

R Col

"I know you will laugh at me," he replied, "but I

H P

really<can't> exhibit it. I have put {too much of

<КР>

myself into it."}

Lord Henry stretched himself out on the divan and

laughed.

R Col

"Yes, I knew you would; but it is quite true, all the

H Col

same." {"Too much of yourself in it!} Upon my

Ex P

Edes <КР>

word, Basil, I <didn't> know you were so vain;

add Col

<КР>

and I really <can't> see any resemblance between

Edes

you, with your rugged strong face and your

All.

coal-black hair, and this young Adonis, who looks

Edes Econs

Com

as if he was made out of ivory and rose-leaves.

Edes

All. Col

Why, my dear Basil, he is a Narcissus,

Ме add

R Col Ме

and you—well, of course you have an intellectual

Apos Econs

R E.conj

expression, and all that. But (beauty, real

Econs

Econs R M

beauty, ends) where an (intellectual expression

begins).

№

Наименование стилистического приема

Количество употреблений

Условное обозначе

ние

Сокращение

1

Эпитеты

53

Описательный

33

example

Edes

Оценочный

8

example

Eeva

Пояснительный

6

example

Eint

Постоянный

6

example

Econs

2

Лексический повтор (Repetition)

6

example

R

3

Сравнение (Comparison)

2

example

Com

4

Personification

4

[example]

[Pers]

5

Metaphor

3

(example)

M

6

Hyperbole

7

example

H

7

Colloquial

13

example

Col

8

E. conj. – conjunction with emphatic function

2

example

E.conj

9

Parallelism

7

{example}

P

10

Irony

1

example

I

11

Архаизм

2

example

Arc

12

Аллюзия

2

example

All.

13

Заимствованное слово

1

\\ example \\

\\L\\

14

Rhetorical question

3

?

Rh

15

Exclamation

2

!

Ex

16

Aposiopesis

1

—

Apos

17

Маркеры разговорного стиля

Междометия

3

example

Ме

Краткая форма вспомогательных глаголов

5

<example>

<КР>

№

Наименование стилистического приема

Количество употреблений

Условное обозначе

ние

Сокращение

18

Address

5

example

Add

19

Превосходная степень superlative

3

example

Sup

20

Преувеличение

4

example

Пре

21

Парадокс

1

example

Par

Название стилистического приема

Количество употреблений

Процент употребления

1

Эпитеты

53

40,15%

2

Описательный

33

25,38%

3

Оценочный

8

6,15%

4

Пояснительный

6

4,62%

5

Постоянный

6

4,62%

6

Лексический повтор (Repetition)

6

4,62%

7

Сравнение (Comparison)

2

1,54%

8

Personification

4

3,08%

9

Metaphor

3

2,31%

10

Hyperbole

7

5,38%

11

Colloquial

13

10,00%

12

E. conj. – conjunction with emphatic function

2

1,54%

13

Parallelism

7

5,38%

14

Irony

1

0,77%

15

Архаизм

2

1,54%

16

Аллюзия

2

1,54%

17

Заимствованное слово

1

0,77%

18

Rhetorical question

3

2,31%

19

Exclamation

2

1,54%

20

Aposiopesis

1

0,77%

21

Маркеры разговорного стиля

Междометия

3

2,31%

23

Краткая форма вспомогательных глаголов

5

3,85%

24

Address

5

3,85%

25

Превосходная степень superlative

3

2,31%

26

Преувеличение

4

3,08%

27

Парадокс

1

0,77%